CHRISTOPER NOLAn’sz EMPRICALIZED NATURALEMERGENCEHOSTAGE-SYNDROMBRAINWAVER is not gonna save cinema and NEITHER WILL YOU, my culture-geek friend. WHAT WILL SAVE IT? WORKING.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

DON'T FOR A second THINK THIS IS ALL THERE IS TO SAY ABOUT quentin tarantino's masterpieces of cinematic form and function both this, Jacky Brown minus the ending a bit; and Once. which is all one should ever say to pay. what that film is FOR SURE owed some stupid stooge in the culture industry to do it an HOMAGE because those KINDS OF things, while nearly IMPOSSIBLE to accomplish with the money-festered trash working culture JOBS(and that's all they think they are nowadays believe you me and I DO KNOW IT),are ABSOLUTELY NECESSARY AS WELL to translate for the LAYMEN(this sentence not the work there itself)poetics into rationalizated-poetry(((((((((which turns things into MEMES and makes them PART OF THE culture, WHICH IS ACTUALLY not my job. SOOOOOOooooooooooooo: on with our essay

Alot of people wonder if they, under even the most exceptional of circumstances COULD STILL MAKE cinema, as if it is long in the tooth, the end of times is basically upon us and—more importantly—that the ‘end of CINEMA’ itself is what is bespoken-about what itself does******** itself bespeak about a potentializated genetic-exhaustion(ality for those with the brain of a barn-house rat) of An entire people((())). writ large…..

THIS, OF COURSE, NOT ONLY being THE CASE, actually(because it is simply NOT the case that a banal dna-substrate can power-through the most dilapidatedly COMPLEXIFIED context actually envisionable according to any standard whatsoever this world is not worth much of anything it is TOTALLY AND 10000000% 24/7-BUSINESS on productifi~/ing ¹ the standardizationsz of life as itself a STANDARD that is endlessly measured in the real of time in which, wink wink culture is ‘conceived’, they all do this now, and it is all to do with BROAD. PUBLIC. Appeal.)with the people(as mentioned in that parenthetical above), but also with the context which isn’t even measurable itself on PRACTICALIZING the manufacture of cinema ATTTTT.ALLLLLLLLLLLL(TO ACTUALLY make CULTURE?????It does not require a genius level PRODUCER that can ‘scry’(which is fortune-telling on truth with regard to cultural sensibilitizationalities(on/of-culture as a sense of feel.);rather, what it needs IS A system full spectra STOP: a SYSTEM that allows for the differentiated?????NO——DISTINCTIVE production of work according to local context, and what that refers to is the level of distrust people have that people all over in rando-places HAVING EQUIPMENT and DISTRIBUTION-POTENTIALIzation across the country? No, just in their locale——that THAT itself AMOUNTS a cinema culture country rather than a systemetized balance-sheet LIABILITY, you dumb FUCKINGmorons simply don’t get it that a corporate suit SURELY cannot get it done; but NEITHER can CHRIS nolan’s EMPIRCALIZED natural-emergence/hostage-syndrome///brain-waver that thinks it will all take place on MAGIC FUCKIN' MUSHROOMS thinking people just need sparkle-dust and the right conditions pertaining on their own way and means of method and whatnot "I hope and pray for it buddy"))))))))))))

And, so, that is really the BEGGGGGining OF an* ANSWER to the solutionizing of a SOLUTION to the (mother-fuckin' cock-suckin' fuckin'a-)PROooooooooooOooBLEM; what else is needed is really the mundane(eliminating social-media;returning to exclusive REAL-TIME on time-lined calendarized broad-sheets BROADCASTing; projection of SERIES in cinemas on digital; AND, lo and behold, the culture cretin returns with RETURN TO FILM-STOCKs that matter, and film in cinema everywhere as well as cameras in everyone’s hands that cost a SHIT-TONNE to make nowadays in particular, but, yeah, TOO FUCKIN’ BAD the CORPORATE TOOLS think wealth needs shine on it FOREVERLASTINGEVER these people want to drive like their cars CAN last literally FOR ALL ETERNITY and that is the nature of the culture SCUM that drives like hotshotting is the MOST TERRIFYING THOUGHT on earth!!!!(literal trash is the measure of driving a boat-cruiser around town))—so, yes!: the mundane of all that coordination(in conjunction with the elimination of MOBILE and networked moveable telephones[(it needs precision for these scumbags///}who don’t think pay-phones all over the fuckin' place is even still fuckin'a-enough)]---,-,-,-and the CREATION, again, of a TELEPHONE hard-lined PHONE-COMPANY. . . / \<))))). / and that* is the BIG PICTURE minus the new internet of geolocated SANDBOXES needed to ensure the ORIGINAL intention is FULFILLED totally======>=>=>=>=>:<I HOST MY CONTRIBUTION and the ‘tech’ between us makes SURE, dead-fuckin’ SHURE is FAIR AS fuckin’ square how I FIND YOU AND YOU FIND ME, period FACTO for these total scum fuckin’ suckers and their dilapidated thought LEADERS? These bitches sucking their titsyoumightaswellcalltheirdicksthat.>) IS WHAT GETS a context in which CINEMA CAN THRIVE AGAIN. Because, you know what? It IS imagine-ABILITIES for a cohort of ‘humans’(no!)so devoid of brain-function it is NOT CLEAR how people any more comprehend what they write into this fuckin’ network on the daily when whAHt they’re faced with outinthewild is just less than SHEEP(and it is not an exagerration or a slander, these fuckin’ people now of a youthful age cannot answer ANYTHING at all---------ITS ALL FUCKIN’ LIABILITY for THEM now) and that, THaAT ARE* THE CRUCIAL fixing FACTOR

Which brings us all back to WHAT IN THE WORLD DOES IT MEAN FOR A CINEMAtoGRAPHER to fuckin’-A/\WORK!!!?IT means take a fuckin’ look at what Quentin Tarantino did to stop making stupid fuckin movies which is NOT A SIMPLE JOKE ON him; but take a good, long, look at the image posted above:::::::::: DO YOU THINK THIS MOTHER FUCKER HAS proven it TOTAL STANDARD he ain’t worried one fuckin’ LICK OF SHIT about NAZIS IN HIS HOUSE? "THAT’s correct," he will tell you, "I GOT THIS FUCKIN’ scene I AM dead-sure of it, my asshole"

which is??????=> WHERE THE work**********************BEGINS to envelope the cinematographic-process.
and THE WHOLE becomes CINEMA.

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.!( “and so, Whatever we’re doing here, we’re REASSEMBLING cultural-time” ,,,,,,,,,, {to the extent any single one of them can explain anything about it at all} (because I fuckin’-a doubt it totally at this point they all seem like curmudgeons at work waiting to die for living so well as a YOUNG YOUNG man). )!.

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FOOTNOTES