Cinemicity

the PULP FICTION corner.

North by NORTHwesT: AlFRED hitchcock could be the sickest AMERICAN to ever live.....

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

by The Editor

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxAnd it looks like he turned-out the rest of the INTELLIGENCE of his nation in precisely the same fashion. I mean, what sick fuckin' MENTAL disease in this thing. He can take credit for a scene, on the train wearing his sunglasses---thaet is super fuckin' 1950s. COOL and so he DID, not even CONSIDER this scene worth a shit he is probably the most fuckin' DISPICABLE piece of shit to ever make cinema"quote. His vision is clearly whaet has come to be the generic!type. Not only the non-sense of performance art of american fake life; but, also, worse: the PSYCHpathology thaet RENDERS it all so despairing ly uncool at all.

A person looks around in this awful looking technicolor coloration and wonders WHO in their RIGHT mind made the 1950s look so fuckin' BIZARRE(the greyhound bus in this if thaet is the company operating this crustaceonated-shell---the whole car is facade down across the tires and so IT MIGHT just be thaet HITCHcock DIDN't appreciate the look at the time? NO: he certainly did APPRECIATE he just decided, like every generation of assholes::::to MOCK every single ASPECT of luxury, as if his PATHETIC fuckin' SCRIPT for this cool guy and CAREY grant is NOT as much a douche as he comes across in this thing. WERE similarly DISENFRanchised.

SO, in this film it is U.S. INTELLIGENCE thaet makes AMERICA what is so fuckin' DISGUSTING about it EVEN TODAY. WHO would go into this 2$ ebay purchase thinking it was about the goddamn CIA again; but, "low and behold" even the worship of this film(and this authorizational person! DID see it's total layout at the BBI-center in LONDON, perfumed and all I CANNOT FOR LIFE me IMAGINE who could think this is actually decent shit to watch), and it IS*films like this thaet populate every discarded person's LASERDISC library;nevertheless, the paranoia about police and MARXISM it must be whaet HITCHCOCK is really reinforcing with this shit, in its own DIABOLICAL way, infused***** as it is in every micro-biotical of this shitty flick I CAN only surmise it gets the total GRANT treatment because of it's usefulness in shapeing hatred of this aesthetic, of thaet time-period, in such a way as to render it all SUPERFLUOUS to logic, actually).

BECAUSE: A person DOES!want to inhabit films of an historical epoch like this one which seems on every chart of every so-called film-buff and expertologistTO JUST BE THE INHERENT of the genre(and he CAN CLAIM some cool car-chase there and the frame of thaet terrifying PLANE, but these ARE NOT WHAET THE FILM is it is not a film-buff movie the thing is stilted like the fuckin' waffle-berry Ms. KENDRA puts on her muffin, CAREY grant could not have cared ONE.whit to touch). And so, while thaet is possible here(to look around a time-period INEXPLICABLE in its luxury and GLAMOUR); it is also just mutatingly awful as well as immiserating the actual FRAME-focusedness OF THE layout(which DOES bring the critique of glam into the problematic of thaet time-period it is without question tooMUCH1).

HOWEVER:IT IS* precisely what is disgusting about hitchcock::::::he knew thaet america wasn't as pretty as all these european new-arrivals didn't yet realize it was coast-to coast NOT WHAT was in the movies and HE WANTED TO LAY!this!across the MIND-brow of this U.S. inTELLIGENCE agentcy(cause at thaet time it WAS NOT AT ALL authorized to operate on national soil) and whaet thaet does "interrogate"quote, for the present zombies of this film, these kinds of post-structural people like ZIZEK, who cannot for the life of HIM UNDERSTAND this movie is just POPULATION CONTROL:::::::!!!I MEAN these ZOMBIEs DO!plan to inhabit their very own HITCHCOCK for all eternity is whaet it looks like the world's ACTUAL APPEARANCE means to them, it's all just stagecraft shit(i.e., mockupgarbage garbage(: AND i do not doubt they can have funny WITH EVERY TYPE OF TRASH DISPOSEABLE item these companies will ensure is alwasy just a bit CHEAPER the next gen. thaen the last(just so they have whaet we ALL NEED I SUPPOSE[which is just the mundanity, actually, of destructive consumption = luxury]).

Footnotes:
  1. which is NOT!!!!!to buy-into HITCHcocks turd-salad he does leave you with a nearly insurrmountable HATRED of this aesthetic.

More Cinematicity

BLUE jasmine(2013->infinity(.no longer.

"Why don't you take a culture-shit on sombody?"

another NIGGER lookin for a war?

This image for this ARCHIVE steven SPIELBERG what a joker s las t laugh on KODAK

Pillow TALKING the 1950s are NOT A PLAYGROUND for fuckin' TRASH

EricROHMER's L'Amour, l'après-midi(Love in the AFTERNOON), 1972!)/(

Sleepless in SEATTLE 1992. THe last time it was possible to MAKE A film.

Hong SANG-soo's THE WOMAN WHO RAN the show!(2021).

FBIwarnings?NO: ILLEGAL COPYRIGHT ENFORCEMENT

SEMBLAGE-space and the REFORMATIONALISM of CINEMA inherent in THOUGHT in Richard Linklater's Before Sunset(2004):

"CINEMA" in 2025: EXCLUSIVE all-total every bit of it: NAZ.

THE FEEL OF EUROPE IS NOT A GUARDED SECRET, bro.

DELPY's Point With ETHAN? HE IS *not*that! attractive for god's sakes.

WELL, turns-out, THE NEW YORKER TIMES? CAN look decent with a FULL-page junk-phoneADvert atop its MASTEDness......

THE HERO(2021!(: actually FARHADI missed

ANTHONY hopkin,jr. RIP. PAL i doubt you'll be hear to even read this one.

SO, thanks AMAZON::::I can JUMP to the NEXT flik, 'fore this has EVEN faded......

TOTALLY cool photos from Asghar FARHADI's genius FILM the SALESMAN....

Le Passé(2013):::::working a HARREM-life?NOT this AUTHOR's CUPaTAY tay. WORKING, THOUGH!?? YES.

le passé\accnt\egue\:::2000and 13 the babeINIT is awesome cause she is NOT HOOKER PORN for some MUFFA.

ASGHAR?NO: this LOSERS' own version of a FAKE LIBERAL tarded LIFE::::LE passe for sure(2013!.

Asghar FARHADI's, Le PASSE,part UN.

THIS! is the coolest bitch in the world. MM, kay? LIBTARDED sweet as pie my littleBUUT er fl \ie\.

"LISTEN BITCH, the way yer LOOKINlike assWIPE shit I aint taking your`*`thoughts"

I spent half my life LIVIN' in A PRANKSTERS' PARAdice.\\\\

Pulp FICTION(1993/4): AIN't nOBODY gonsta have a BEED on THIS here NIGGER.

Fair DINKUM JIM CAREY here is YOUR HOMAGE.

The last MOHICAN standing in this world has a new VANITY fairing SYSTEM for MAGAZINAL work.

ANORA(2024)!What yer MOVIES::::do not DO FER ME MY MAN is activate my PUSSY/

NEWS

BEFORE SUNRISE blackmagic POCKET????HOLEY SHIT MAN, what fuckin' GARBAGE.

PELICAN brief(1993)::::

1997: /////Elliot SMITH *could*have,indeed, Maw/uST/A\-DROVE a Honda Civic Standard.

THE Fugitive(1993): Conflicting NOTIONS OF JUSTICE "at PLAY my FRIEND."

How to RUN FROM THE LAW:

THE BIGGEST NIGGER IN CINEMA IS thommy LEE JONES.:::The Fugitive(1993)

Forrest GUMP(1994).

ANAtomYof A CRIMINAL ENDEAVOUR TO refactor AMBITION for HARVARD.

GOOD WILL hunting. period.

HERE is SLOTERDIJK's answer to what a table IS:

Jacques RANCIERE? Got one thing right about the CLAMOUR for the STARS.

Tay man swipe this guys dick for a hairraising moment of his life and he'll ALWAYS DELIVER THE JEW BS. SHIT TOTAL TRUE BUD.

The Fakest! Lookin' BunchaTrash in the Known Universe?

ROCKY 2: What Fuckin' DOGSHIT

Cinema: A Secular Philosophical Machine?

CERTAIN TRASH Jenn. Law is definite pander on faking life so hard it comes out your ugly face all day and night

The INCOMPARABLE ROBERT REDFORD?

Beauty?The ENGRAVENimage of Beauty and the BEAST!

I JUST can't WAIT`*`TO be KING: The Lion King(1994.)/./././././.

SNEAKERS(pre-MISSION IMPOSSIBLE for sure(1992, REDFORD's Geriatric DREAM machinal/