Cinemicity

the PULP FICTION corner.

"I WOULDN'T`*` WATCH THIS SHIT IF MY PENIS WERE FAKE SNUFF LUFGDICDS."

The end of the line in JEWISH CULTURE EMPIRICISMISTICALITY(for the post structural moron-savant) IS INSCRIBING ARTHUR FUCKING MILLBANK?????????!!!!!\\?. But, and thanks for a freebier Vader fag;;; your role in Inside Llewyn Davis should have been your end point; totally rancid shit; that the COENS C

by The Editor

The end of the line in JEWISH CULTURE EMPIRICISMISTICALITY(for the post structural moron-savant) IS INSCRIBING ARTHUR FUCKING MILLBANK?????????!!!!!\\?. But, and thanks for a freebier Vader fag;;; your role in Inside Llewyn Davis should have been your end point; totally rancid shit; that the COENS CAN BOTH ELEVATE TRASH(like fuckin' TOMMAS Lee Jones, plucked like ass-wrapper outta the construction-box of CIA-tools manuFACTED* out a culture/\snooze).....

anyway:[thusly, buds do I give you a pass on throwing down with that senselessly BUCKTOOTH SCARLETT JOHNANSSON, total respect on it, I---PERSONALLY---COULDNT'a IMAGINE/d/ STAYIN' MARRI/E'/T/TO THAT fuckin thAng ee//ther//-)]....in any who case..Jewishness? as historical empirical consciousness does not relate EITHER TO THEIR FORM OF BEING MARRIED WHICH is* not a joke:::::they are snufflersz-extreme, would vacuum a wallet off frankstein sat with lipstick on a fuckin park bench thereby invalidating YOUR MARRIAGE FOR PEANUTS, bud.

SO::::Arthur miller??? No sane genius would write like he ever thought it meant to be a writer MARILYN MONROE? thought he was dipshit asshole(cause she is fuckin' AWESOME!) SO: he gets total respect-though/simply cause he's a JEWSISH SCRIBE MAKING THIS/*/ DEAD CORRECT.

[[ASGHAR farhadi????? Nailed it though in his SALESMAN. IRAN IS WAaY COOLER THAEN AMERICA.]]777#Footnoteationlaity:777:::::communique:blah blah not I would think it PERMISSABLE>to actually REPLACE THE ENTIRE judiciary across the COUNTRY WITH IRANIAN judges.

More Cinematicity

The Subtle Establishment Propaganda of Homeland

Time Out-of-Order, and an Actual Experience of Time in Hong Sang-soo's Hill of Freedom

What The Big Short is Not

The Revisionist 'Conservative' Ideology of Billions

Dinosaur 13 and Criminal Ideology

In the Moment of Musical and Cultural Transformation with HBO's Vinyl (or Inside Richie Finestra)

Dark Matter: the political and social significance of cinema in Hail, Caeser!

Birdman: precisely what Robert Altman's Short Cuts is missing

Woody Allen's Radio Days and The Vast Forgotten Imagination of Radio

Woody Allen's The Purple Rose of Cairo and The Reality of Cinematic Dreams

Bloodline: A Series Gone Awry Produces Some Tolerable Side-Effects

Hong Sang-Soo's Right Now, Wrong Then: Fortune Springs From The Inside?

The Night Of: Elevating The Ordinary

In Brief: Woody Allen's Café Society

Second Look: The Night Of

In Brief: Captain Fantastic

In Brief: Lo and Behold, Reveries of a Connected World

In Brief: The Magnificent Seven

In Brief: The Arrival

Rogue One: truly, a Star Wars story

Aside: Kubo and the two strings

In Brief: The Accountant

The Salvation: Towards a Conception of European-American Cultural Differentiation

Whiplash: The Purification of Art According to Liberal Ideology

Running the Sahara: the most uninspiring endeavor yet recorded in human history

Hong Sang-soo's Woman Is The Future Of Man

Western Mythology and the NTSB of Clint Eastwood's Sully

In Brief: Money Monster

The Endless Present: Life and Passengers

Dancing in the Dust: towards the cultural specificity of abject life (between Asghar Farhadi and Hong Sang-so)

Gushing Praise for George Clooney's Suburbicon

Fiore: expressing the distraction, refusal, and individualism of (liberal) European life.

Loveless: cynical pseudo-philosophy of love or profound cinematic critique of romance?

Billy Lynn's Long Halftime Walk: undermining the American (cinematic) war machine

Things To Come: liberalism's confrontation with old age

Another Round: Overcoming the Liberal Double-Bind

Tesla: Out of Time

The Self-Neutered Political Potential of Joker

In a Valley of Violence: The Reluctant Western

Gösta: recovering the communal from out of liberalism's failed romantic

Tunna Blå Linjen: Becoming The Future

Don't Look Up: Bring On The Comet

Starship Troopers: Responsbility of the Citizen

Don't Worry Darling: Towards Dysjunctive Gender Subterfuge

Dungeons and Dragons: Honor Among Thieves

In Short: Addressing the Contrived Oppenheimner Controversy

Review: Dune, Part Two

The duchess, a Supremely Beautiful Movie

AVENUE 5 Cinque-Terre in the FUCKIN' ATMOSPHERE OF DYNAMIC INTELLECTUAL IMBECILITY

The Insufferable IDEOLOGICAL CAPTURE REGIME OF jungly Cruiser

Dumb and Dumber To: a Cinematic Encounter with an Old Friend (and with 1994)

What is Science-Fiction About Star Trek? Nothing.

Poolman: Unwatcheable Garbage Fire if you keep keeping watching it burn

To Catch a Killing Machine? America can avoid it but for me alone in this world.

BabyGirl! Who Knows What's After Minute 3:03 KIDMAN my laugh track is more famous than you

CLOSER(2004), Natalie's FRAME shot and TAKE

Barely ABOUT Ethan Hawke’s Before Sunset Trilogization of his FANTASY life

(Untitled) asfkasdhlfkjhasdfasdflkjh .........dfjsdkertaasdfsdlkaf sdfDJf clala la lala.....................

THE cinema THAt(....t]DIDn't ever LEARN:

Planes, Trains, and the Marketing-MAN of the UBER-`80s ActualCOOL!