A, ABSOLUTE joy, !ON FILM! And, so, the ISSUE?NO, the PROBLEM. With Oppy. on DIGITAL.? Yes. It is just a plain-jane SCRIPTED narrative of Jewish decency(and whosoever met one of these jolly-rancher-typesONparada?Maybe in the BALLGAME of yer fuckin’ DREAMS!!!!!!, peoplesz! Base-ball.!....)xxxxxxxxxxx
Listening/appreciating DAVE MATHEWS more*than he was ever APPRECIATED AT THE TIME IS surefire way to recognize the CULTURAL MOMENT has so dramatically shifted with streaming mentalitiesz....xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Nobody cares if this PABLUM SITE hacks a Nobel Prize on bein' the only PERSON STICKin' up fer The World not bein' this fuckin' dog sled shit pile of dick.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
The level of bad-taste in this 'film' is so off-the-charts it ALMOST*seems like it is deliberate and that* is because Damian Szifron made it this way to throw his towel in on life in America and not a single fool realizes it not even his production company.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
There's no POINTS here just a long diatribe with some material for logical re-binding of this cinema mish-mash to the present it pretends its the future of when its really the present this is the future FOR:::xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Chris Pine certainly didn't deliver here, the man reveals himself to be little more than fuckin' busted liberal leather and that means alot to people that thought he was the exact fuckin' opposite of that.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Learning how to do CGI in the 2000s was a learning-lesson in how to under-whelm the entire previous generation of special-effects people.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
The end of cinema is bespeaked about the end of the last time you can remember enjoying***, seriously-enjoying, anything at all and that is the last thing Jim Carey would ever say about this film: HE TRIEDxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Living forever in Blade Runner's 2045-years of nonsensicality is never going to be meaningfully redeeming so figure out what it is about SOREN KIERKEGAARD's little book on despair that you cannot understand he's hilarious and not overly pessimistic at all.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
It's true that the future tech people CAN imagine is so devoid of morality the only sense it gives you of itself is one of the immediacy of its ideational phasing-in of the morality-freeness of phone scrolling as harbinger of all that will eventually be GOOD and false.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
With a tech-ideology like this, what's the fuckin' point to make films for a 'public' at all? Hidden treasure for the losers themselves scattered in meta-audible overlay for their prostitutes to marvel at the hidden gems for their loser boyfriends and fake husbands.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
HBO's Avenue 5 is simple garbage and there's no better way to indoctrinate this world than with shit like this 'cause people REALLY ARE THIS FUCKING MENTALLY DISEASED and the truth of THAT is that we all lose space.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
There is no better way to consider THE YOUNG Victoria(2009) than according to the hair-styling and prolific access to the actually-maintained historical period***in which this depictedly TREASONOUS represented story is maintained to have OSTENSIBLY occurred.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Similarly, to the Fifth Element there is no point to make this film, Jane Austen was a pedantic moron who couldn't have conceived of love if it smashed her brains out on the railroad she always dreamed of killing herself on.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Second-Rate Historical drama Delivers Serious Bang for the Dollar Value of Knightly's SMILE.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
The epitome of a defunct CULTURE of American declination with regard to its endless navel-gazing potential.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
In this, the first of a series of essays on the re-inscription of the total sense of lost meaning that was pertained on the past cultural rupture around the time JFK, jr, was shot dead and DYLAN decided to pander to the monopolists of culture industrial complexification OVER: smoking cigarrettes asx
"A really great movie, and a surprising coup because it does work full-spectra to present motorsport racing in a way that transcends ideological notions of how to race an automobile at rocket speeds."xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
It's a spectacle no doubt, but not one without a fundamental flaw symptomatic of broader trends that significantly undermines the potential evidenced in the preceding Part, one that is, contrary to popular superstition, actually necessary to the fabric of space and time as we don't really know them.
With respect to the current broken digital screening system currently destroying cinema and the imaginative capacities it produces in its witnesses. xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
It's still worth re-watching, even if you can’t imagine why. A borderline treatment of the movie in-line with the complexity of the present that looks-back cursorily on the cinematic history in which this film is implicated and the transformations in freedom it provides access to comprehending.xxxxx
”A merciless study of the lives of people who are living badly, [The Iron Claw] not only poses questions about free will, but portrays characters sunk so far in convention, fear, and unnaturalness that even the dawning of a more vital life must appear to them as something terrible and destructive.”1
That Liberals invent every day of the week for the benefit of their mothballed pansy-transy flimsy-whimsy World Order.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Produces so many ideas about how bad that it is, it's impossible to keep track of what that it is.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
A good film with spectacular effects and a good casual-comedic and human performance from Chris Pine, expresses something of the problematic concerning any effort to achieve liberal political dysjunction through technology.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx