DAVE mathews was `****`NEVER`````a sell-out

Listening/appreciating DAVE MATHEWS more*than he was ever APPRECIATED AT THE TIME IS surefire way to recognize the CULTURAL MOMENT has so dramatically shifted with streaming mentalitiesz....xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

Mallermé's INJust Translational Faux-PASSS

Something has happened to translators of MALLarmÉ he is not an absolute MORON like this translation pre-supposes that he is in fact he is despite TOLSTOY's insistent remarks, one of the geniuses of all poetic expression and that* WILL BE** PROVEN TO YOU RIGHT HERE AND NOW cinema fans...xxxxxxxxxxxxx

Stillwater Ain't Fucked Too Small Said Damon

Nobody cares if this PABLUM SITE hacks a Nobel Prize on bein' the only PERSON STICKin' up fer The World not bein' this fuckin' dog sled shit pile of dick.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

CLOSER(2004), Natalie's FRAME shot and TAKE

Natalie Portman met Damon Wayans once and thought he was fuckin' hilarious but he never once said NIGGER? No, he said it pr ac ly ev y f u h k i n wort. xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

On Fame: from Monroe to NOTHING at all but selling your cleavage.

An ABSOLUTE hoot*of an essay trying to excavate-out 'fame' for people to understand that IT DOES not ACTUALLY EXIST any longer in 2025's 'media' scape and that*means natural-selection is WAY fucked what with tech-scum fetishizing fake tits and 'riding' vaginas till they're rotted out puss-drips.xxxx

10-Point System on Figgerin' Out the Cinema of the UBER-WEALTHY

There's no POINTS here just a long diatribe with some material for logical re-binding of this cinema mish-mash to the present it pretends its the future of when its really the present this is the future FOR:::xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

Poolman: Unwatcheable Garbage Fire if you keep keeping watching it burn

Chris Pine certainly didn't deliver here, the man reveals himself to be little more than fuckin' busted liberal leather and that means alot to people that thought he was the exact fuckin' opposite of that.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

What is Science-Fiction About Star Trek? Nothing.

Learning how to do CGI in the 2000s was a learning-lesson in how to under-whelm the entire previous generation of special-effects people.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

Blade Runner Redux, Kierkegaard's Living Shame.

Living forever in Blade Runner's 2045-years of nonsensicality is never going to be meaningfully redeeming so figure out what it is about SOREN KIERKEGAARD's little book on despair that you cannot understand he's hilarious and not overly pessimistic at all.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

Blade-Running 2049 without a Prayer of any kind or shape of sense.

It's true that the future tech people CAN imagine is so devoid of morality the only sense it gives you of itself is one of the immediacy of its ideational phasing-in of the morality-freeness of phone scrolling as harbinger of all that will eventually be GOOD and false.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

The Insufferable IDEOLOGICAL CAPTURE REGIME OF jungly Cruiser

With a tech-ideology like this, what's the fuckin' point to make films for a 'public' at all? Hidden treasure for the losers themselves scattered in meta-audible overlay for their prostitutes to marvel at the hidden gems for their loser boyfriends and fake husbands.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

1995's Sensibility and Sense of Ang Lee's Understanding of Joyce

Similarly, to the Fifth Element there is no point to make this film, Jane Austen was a pedantic moron who couldn't have conceived of love if it smashed her brains out on the railroad she always dreamed of killing herself on.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

The duchess, a Supremely Beautiful Movie

Second-Rate Historical drama Delivers Serious Bang for the Dollar Value of Knightly's SMILE.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

Arthur the KING: DEFUNCT Wahlberg Cultural IConoGraph

The epitome of a defunct CULTURE of American declination with regard to its endless navel-gazing potential.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

Press Play, Part One: SMOKING AS A radical ACT

In this, the first of a series of essays on the re-inscription of the total sense of lost meaning that was pertained on the past cultural rupture around the time JFK, jr, was shot dead and DYLAN decided to pander to the monopolists of culture industrial complexification OVER: smoking cigarrettes asx

In Brief: Gran Turismo

"A really great movie, and a surprising coup because it does work full-spectra to present motorsport racing in a way that transcends ideological notions of how to race an automobile at rocket speeds."xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

Review: Dune, Part Two

It's a spectacle no doubt, but not one without a fundamental flaw symptomatic of broader trends that significantly undermines the potential evidenced in the preceding Part, one that is, contrary to popular superstition, actually necessary to the fabric of space and time as we don't really know them.

Contemplating Film Cinema

With respect to the current broken digital screening system currently destroying cinema and the imaginative capacities it produces in its witnesses. xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

Ghost and The Superman

It's still worth re-watching, even if you can’t imagine why. A borderline treatment of the movie in-line with the complexity of the present that looks-back cursorily on the cinematic history in which this film is implicated and the transformations in freedom it provides access to comprehending.xxxxx