It IS SURELY(for this websiteal at least! unusual to write about music, at all actually, it isneverCLEAR what the point of describing WHERE a music FITS into a 'genre', actually, solving music is like LINKLATER May Have Thought:endless live-BROADCASTS on a serious audio system ONE can scroll around
There are two comments I would use to base my own review on here, both coming from a short video review of the film in the Guardian.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Something in this constructed unbelievability..........xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Nobody cares if this PABLUM SITE hacks a Nobel Prize on bein' the only PERSON STICKin' up fer The World not bein' this fuckin' dog sled shit pile of dick.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
A MASTERclass demonstration of what it MEANS to be MUSICAL in YOUR making; to which:there's only ONE!way of access /to this COEN'S BROthermother-fucker/, and THAT goes through a full-page-BLACK/\website on EMBOSSMENT-writing. So, take that\forFORwhat its \WORtH\t-bone\JACKSON!\,\.xxxxxxxxxxxxxxxxxxx
How to RUN the violin? Straight out ahead AND THROUGH? NO, way no how and not straight out EITHER! TowardstheLEFT, resisting, all the while, URGE. A message for a generation just THE s\a\m\e\ NOT WHhat ThE diReCtoR ever figured hislittleFILM would be required to do; but something he must have felt,
A bit of dilemma faces any viewer of this film*(and it IS one for some viewers and NOT!for most many othersz, cause the truth is it is endeavoring to reverse the order of time which is just fine and dandy for many viewers don't mind bone-saws used to make unrealistic music.xxxxxxxxxxxxxxxxxxxxxxxxxx
"The ultimate TAKEDOWN on the Central INTELLIGENCE AGENCY has to do with Planes, TRAINSz, and AUTOmo-bil-sz will say the telegraphing moron for the c.i.a. lol pander sick nut on STEVE fuckin' MARTIN, he's a fuckin' CANUCK..." etc and onward say theise trash to the AMERICAN public."xxxxxxxxxxxxxxxxxx
A, ABSOLUTE joy, !ON FILM! And, so, the ISSUE?NO, the PROBLEM. With Oppy. on DIGITAL.? Yes. It is just a plain-jane SCRIPTED narrative of Jewish decency(and whosoever met one of these jolly-rancher-typesONparada?Maybe in the BALLGAME of yer fuckin’ DREAMS!!!!!!, peoplesz! Base-ball.!....)xxxxxxxxxxx
THE LOBSTERlies to YOUR FACE with no abandon and that is the REAL truth of this film series? NO it is the truth of this director as regards EUROPEAN cinema that has nothing but need for the same precise circus-jerk on nothing butAND nothing to do about living-standards in REALITY!!!!!!!!!xxxxxxxxxxx
People no longer understand what cinema is supposed to be: it is not supposed to be a place where the filth of the earth represent to ourselves the nature of their sordidity. And, if you cannot understand that, think WHY IS Sydney-Sweeney SO FUCKIN'-A-graded:::::"UGLY, prime B-cut slice"xxxxxxxxxxxx
INGLORIOUS BASTARDsz is the least appealing momentary glimpse into how much backwards QUENTIN TarAnTiNOhas gone on his former NAZIISM; this film is like dick-suck on jews world-wide eliminating THIS.VERY.PLANET..(so intent on money-making they are now with technology.WORKING.xxxxxxxxxxxxxxxxxxxxxxxx
”I don’t really know about that? I’m pretty sure I can’t weigh on it one way or another; I mean, it does seem like he has a RIGHTto do that thing that way; and: who am I to intervene on it.”xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
The lastthing to expect from this film is an understanding how to comprehend the PLASTIC ART NATURE OF cinema.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Listening/appreciating DAVE MATHEWS more*than he was ever APPRECIATED AT THE TIME IS surefire way to recognize the CULTURAL MOMENT has so dramatically shifted with streaming mentalitiesz....xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
NOBODY! on this earth has EVER UNDERSTOOD what the fuck MallARM! had written; least of all ALlAMEBadiou.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Star Trekking INTO DARKNESS like, literally, on-from the Obama-time period in (2013), doesn't just demean another--another Screaming and Running c(C)rowd!! as the PRESENT of the truth of FREEDOMMMMMM!!!-inviolate even though there hasn't been a FREE CROWD for like 400-years anywhere on planet earthl
Natalie Portman met Damon Wayans once and thought he was fuckin' hilarious but he never once said NIGGER? No, he said it pr ac ly ev y f u h k i n wort. xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Sorry, but this rancid movie that is NOT A FILM***(and I swear to God on that even though I wouldn't watch another fuckin' second beyond this frame) BUTan UNWATCHEABLE MORALITY CRimE.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
The level of bad-taste in this 'film' is so off-the-charts it ALMOST*seems like it is deliberate and that* is because Damian Szifron made it this way to throw his towel in on life in America and not a single fool realizes it not even his production company.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
An ABSOLUTE hoot*of an essay trying to excavate-out 'fame' for people to understand that IT DOES not ACTUALLY EXIST any longer in 2025's 'media' scape and that*means natural-selection is WAY fucked what with tech-scum fetishizing fake tits and 'riding' vaginas till they're rotted out puss-drips.xxxx
There's no POINTS here just a long diatribe with some material for logical re-binding of this cinema mish-mash to the present it pretends its the future of when its really the present this is the future FOR:::xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Chris Pine certainly didn't deliver here, the man reveals himself to be little more than fuckin' busted liberal leather and that means alot to people that thought he was the exact fuckin' opposite of that.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Learning how to do CGI in the 2000s was a learning-lesson in how to under-whelm the entire previous generation of special-effects people.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
The end of cinema is bespeaked about the end of the last time you can remember enjoying***, seriously-enjoying, anything at all and that is the last thing Jim Carey would ever say about this film: HE TRIEDxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx