Cinemicity

film and CULTURE!

More Cinematicity

THE Fugitive(1993): Conflicting NOTIONS OF JUSTICE "at PLAY my FRIEND."

How to RUN FROM THE LAW:

just an adjacent PEDOPHILE case for the MARSHALLS in their APEX TERROR SYSTEM.

THE BIGGEST NIGGER IN CINEMA IS thommy LEE JONES.:::The Fugitive(1993)

Forrest GUMP(1994).

ANAtomYof A CRIMINAL ENDEAVOUR TO refactor AMBITION for HARVARD.

GOOD WILL hunting. period.

HERE is SLOTERDIJK's answer to what a table IS:

Jacques RANCIERE? Got one thing right about the CLAMOUR for the STARS.

Peter!SlaughterDIK?!was the primo-fashion-maker for all these ENFANTS terrible

What the MAJORITY of 'brains' QUOTE THat ARE 'one'!Bingo!!!

Tay man swipe this guys dick for a hairraising moment of his life and he'll ALWAYS DELIVER THE JEW BS. SHIT TOTAL TRUE BUD.

The Fakest! Lookin' BunchaTrash in the Known Universe?

ROCKY 2: What Fuckin' DOGSHIT

Cinema: A Secular Philosophical Machine?

CERTAIN TRASH Jenn. Law is definite pander on faking life so hard it comes out your ugly face all day and night

The INCOMPARABLE ROBERT REDFORD?

Out Of AfriCA::::1985)))))the BEST film`*****`EVER yet accomplish-eD/\.\

Beauty?The ENGRAVENimage of Beauty and the BEAST!

Counting CROWES: across the wire REVIEW in twenty-twentyFIVE/Four and THREE baby!!!!!!

I JUST can't WAIT`*`TO be KING: The Lion King(1994.)/./././././.

SNEAKERS(pre-MISSION IMPOSSIBLE for sure(1992, REDFORD's Geriatric DREAM machinal/

Tatanka "there's more native american in Dances with WOLVES thaen the YANKEES ever didn't pay fealty to.

THEY made a liberal nightmare so people didn't have to look shitty on TELEVISION they say.

"I GO/o/T IT MY MAN", (I just CANNOT fuckin' S-T-A-N-D|\runnin' game (in my. own. HOME. TOWN, for CHRISTS'SAKES/."--ROCKY BALBOA.))/.

The GREAT? NO: pathetic escape of JOHN TRAVOLTA from LIFE?????

Gone with the WINDER. Clark GABLE is REVOLTING TRASH.

HErEsz' LOOKin' at YOUKID,supposed ta bEROMANTIC?al?/NO! NOt for a BITCH!

CASABLANCA on laser discer?THE epitome of old-school COOL.

A river actually RUNS OUT OF THE UNITED STATES mrREDFORD

JURASS

Einstein says

Film in Cinemas Is the standard! You fuckin' MORONS .

WHAT IS THE broadcasting RECOMMENDATION for the FUTURE:LASERDISC!

SO:Since melGIBson refused to give me specifically COPYright\

PULpFiCitinOon\Yeauha\u\H\~I made it splash tanight over at the diner scene\

CLINGinGtoaBROADCAST standard for the CINEMA at HOME? Well.....

SlumDOG!Millionaire REVIEW infive acts of faith deprivational insighting.

THE stupidest DECISION to MAKE? TRY publishing YOUR OWN aristocratic CONTENT!

AnotherDAY;A nNoOtThE\r\TIME|<<<------

Review: Listen to Me <br>, Marlon!!!!Mother,fuckin' MARLON!!!!

THE END of negativity(lol) and the Last of Mohican DisGraCeE\\\'\.|\|

The Last of the Mohicanz.

Planes, Trains, and the Marketing-MAN of the UBER-`80s ActualCOOL!

THE END OF CINEMA IN oppyHEIMER? BASICALLY the reason it gets TOP PRIZE as BEST FILM IN HISTORY.....

(Untitled) asfkasdhlfkjhasdfasdflkjh .........dfjsdkertaasdfsdlkaf sdfDJf clala la lala.....................

Barely ABOUT Ethan Hawke’s Before Sunset Trilogization of his FANTASY life

THE COOLEST TITLE OF ALL: WORKING FOR A LIVING IN CINEMA

What the 'Space Needle' BODED ABOUT THE END OF ARCHITECTURE:

Favreauz funexplained as liberal-historyMAKING

DriveAWAYDolls: PLEASE eat some other pussy

DAVE mathews was `****`NEVER`````a sell-out

Mallermé's INJust Translational Faux-pas

Freedom of the Super-Crowd? Not if it pertains on a tech-loser's DREAM"quote!!!!

CLOSER(2004), Natalie's FRAME shot and TAKE

Stillwater Ain't Fucked Small Said Damon

BabyGirl! Who Knows What's After Minute 3:03 KIDMAN my laugh track is more famous than you

To Catch a Killing Machine? America can avoid it but for me alone in this world.

On Fame: from Monroe to NOTHING at all but selling your cleavage.

10-Point System on Figgerin' Out the Cinema of the UBER-WEALTHY

Poolman: Unwatcheable Garbage Fire if you keep keeping watching it burn

What is Science-Fiction About Star Trek? Nothing.

Dumb and Dumber To: a Cinematic Encounter with an Old Friend (and with 1994)

Blade Runner Redux, Kierkegaard's Living Shame.

Blade-Running 2049 without a Prayer of any kind or shape of sense.

The Insufferable IDEOLOGICAL CAPTURE REGIME OF jungly Cruiser

AVENUE 5 Cinque-Terre in the FUCKIN' ATMOSPHERE OF DYNAMIC INTELLECTUAL IMBECILITY

Coiffuring the Culture of MisConduct Surrounding Emily Blunt's Pathetic Performance

1995's Sensibility and Sense of Ang Lee's Understanding of Joyce

The duchess, a Supremely Beautiful Movie

Arthur the KING: DEFUNCT Wahlberg Cultural IConoGraph

Press Play, Part One: SMOKING AS A radical ACT

In Brief: Gran Turismo

Review: Dune, Part Two

Contemplating Film Cinema

Ghost and The Superman

The Iron Claw of Life: Selective Infinities

In Short: Addressing the Contrived Oppenheimner Controversy

The Creator: Chappie's Dingleberry

Dungeons and Dragons: Honor Among Thieves

Don't Worry Darling: Towards Dysjunctive Gender Subterfuge

Starship Troopers: Responsbility of the Citizen

Don't Look Up: Bring On The Comet

In Brief: Tenet

Tunna Blå Linjen: Becoming The Future

Gösta: recovering the communal from out of liberalism's failed romantic

In a Valley of Violence: The Reluctant Western

The Self-Neutered Political Potential of Joker

Tesla: Out of Time

Another Round: Overcoming the Liberal Double-Bind

The Tiger King: American Culture Unbound

Things To Come: liberalism's confrontation with old age

Billy Lynn's Long Halftime Walk: undermining the American (cinematic) war machine

Loveless: cynical pseudo-philosophy of love or profound cinematic critique of romance?

Fiore: expressing the distraction, refusal, and individualism of (liberal) European life.

Gushing Praise for George Clooney's Suburbicon

The Amoral Liberal 'Dreams' of La La Land

Dancing in the Dust: towards the cultural specificity of abject life (between Asghar Farhadi and Hong Sang-so)

Asgar Farhadi's Beautiful City: some real insight into Islamic culture and society

The Endless Present: Life and Passengers

THE Fugitive(1993): Conflicting NOTIONS OF JUSTICE "at PLAY my FRIEND."

Yeah: And this is HARRISON FOrD's LIMOUSINE and my monkey-driver a fuckin' FULL-blown PhD.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

by A Contributor

Yeah: And this is HARRISON FOrD's LIMOUSINE and my monkey-driver a fuckin' FULL-blown PhD.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

So, who knows what to say about HIM actually at this point the issue with the 1990s? It is so VILE! in fact whaet liberals became through their SUBSCRIPTION to A DNA STANDARD on verifying PEOPLE. THAET THEY NO LONGER REALLY LOOKED INTO THEIR EYES ANY LONGER TO KNOW IF THERE WAS ANY truth or falsity to whaet a person MAY EVER have said to an so-called(and there are litterally MILLIONS of these stooges all throughout the country)'agent of the LAW!'.

SO: when TOMMY lee? NO: his actual life character in this movie is the standard of analysis in fact; WHEN TOMMY LEE JONES! wants his CINEMA FUCKIN' table Waped CLEAR a shit off it this ain't no fuckin' standard I Eev\er\ heard\off. HE DOES IN fact have a serious POINT VIS a vi the PANTOMIME of falsity thaet is--at THIS TIME ALONE---the pointurture of HARRISON FORD HIMSELF, a person who REALLY NEVER SHOULD---much like LUKE fuck-walker should have stayed hustling dick on SKID ROW---never have become a leading guy(and, was, in fact, kind of miscast on his pure chance-abilities alone in thaet film(Star WARS!) he MADE IT LOOK LIKE HE WAS super fuckin' COOL)(when, in fact, it is MORE THE case thaet he is a bit smarter thaen he APPEARS****(but not as smart as HE IS PORTRAYED TO BE for fuckin' SURE which does make him exemplary on FAME. TO BE A PERSON caught offguard the whole time is indicative of a really fuckin' DECENT PERSON(which is why it is just funny and not mockery to think of this car above like his limousine, cause, equally::::it occured TO ME THE REVIEWER and so therefore and thus:::it must also have been his fuckin' CHARIOT out of that nightmare on elmstreet with this conniving fuckin' GOLUM.)

Which is, actinfact also bizarre. Cause? how does a film* like this entirely about NARRATIVEsetting for liberals become so infused with FALSE STANDARDS? NO: these are actually the most decent portrayals of American life thaet one could think of for thaet time period and RE_WATCHING THEM ON LASERDISC is perhaps the only waY to re-capture it cause the blurays1 make it seem as CINEMA when this movie is(and you may notice it for sure the strangeness of it as a medium-carrier for CINEMA standards) video, but, and yet: it is also cinematical. And what it DOES is, for CERTAIN:(1) make it seem like cinema of the time had to make-do with a less-thaen stellar environment and people; (2) that watching cinema was itself* kind of the LOW-water mark for what a movie needed to hit in the pacing of its action; and, [3] INTRODUCE a person to BROADER NARRATIVES about the world they were living in which in this CASE IS A BANG-up job TAKING-down the PHARMACEUTICAL INDUSTRY and all these craven and disgusting PEOPLE thaet nobody----once you bother to rewatch the film, for god-knows what reason actually, maybe you got it in a lot of laser-discs off eBayPRISONtechEXTENSIONandFILTERinputs---will ever not remember HOW IMPRESSING on a person(a soul, even?) IT WAS how this (surely)CIA-namejobbed 'DEVIL MCNUTTER'(and, who wants to pull these manufactured realities back from without of the tin they came in; but::::Devler McCame on some bitches face? Anyway, IT*(and there are and were and never will not be a zillion of these fuckin' _SCUM) got taken the FUCK!down for sure there. And why would it ever have been significant at all at thaet time is hard to imagine now(cause: WHO GIVES A shit, the whole-world is off-charts by the minute et&c).

SO, when he wants his table clear and to RAMSHACKLE all across the nation, TOMMY lee is letting us in on the actual CREDO! these trash live by as they gunsmoke the nation: they is unhinged to the point of LETTIN' YOU KNOW you are surveilled in all you ever fuckin' DO. WHICH might not seem like much-a-JUSTICE until you think THIS WHOLE FUCKIN' thang run on some kine fuckin' insane "FOUNDER gaven" truth and the system just delivers it, manufacted LIBERAL life. SO, all's a fuckin' MARSHALL gotta do there is let the whole fuckin' thang permutate off on round'em. WHICH IS, funny-enough, the point of HARRISON forD, just the same. AND WHATEVER other foil-plot stooge they got in this thing one does wonder to what extent it COULD BE A 'foil-plot', in fact, since the way in which it occurs***** is so epic in its formulairy.

I SAY::::they, as the COEN's must'a later done::::made fuckin' DO. THESE was the actors. AND ALL THIS SHIT????the narrative. SO, yeah, it DOES PERMUTATE through them PERCEPTIBLY. And so, then, the truth of the movie becomes seriously COOL. AND IT DOES MAKE No Country For OLD men seem like seriously INSPIRED WORKing through of precisely the problem this FILM(and this discussion) INAUGURATES, which IS THE ACTUAL position of morality in the EVER-burgeoning LIBERAL land-grab. WHICH is, actually, just what you see in the movies.

SO: wanna KNOW WHAT THESE fuckin'-filth*****is going to do(if you get a life any way they are so fuckin' RANCID its a wonder anyone besides MEXICANS gets a shot at ironing fuckin' LAUNDRY):::you'll have to wait for their 'expression' on a fuckin' SCREEN SOMEWHERE NEAR YOU to know it for dead fuckin' CERTAIN(otherwise they is all FORUMLAIRE on story-boarding their next one).......

BUT, seeing GOSLING and this fairy fag Glen POWELL and the rest of these fuckin' PLACEHOLDERS? NO, boys, these FILTH is so rammed with fame-club they's burniing the camera. They expose the film without any fuckin' LIGHT.


Footnote:
  1. Again, to summarize its LD->OPTICAL-audio+s-video524p+)->720-converter->HDMI->television of PLASMA variety@1080p. And then make your settings COUNT(because there's myriad ways to get it fuckin' WACK.)