MAKING SENSE OF HONG sang-soo's greatest achievement as it stood back in 20,09/10/11 when it no longer makes a clear case to be anything but poser shit.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
The trouble with HONG sang a soosie!is he is a gay man actually this is the problem with his music:::::in this movie!(and it is one not a film like he IMAGINED it would be, in BLACK!(and:whit/(, what he does is DREAM SO FUCKIN' big about what IS ACTUALLY A LIFE TO BELIEVE IN ACTUALLY it is and was* at thaet time still a viable thing to to achieve but only in a place like LONDON, not in BERLIN where he might've thought was the coolest shit in EUROPEAN cult. he dreams so big about it you know it is gay this act this person puts on in the stairwell is NOT THE 'guy's' role, in fact; it is the WOMAN'S ROLE THERE he waves with his hand. And, yet:it is still the thought of the playfulness of this kind of relationship thaet IS THE TAKING IT ALL THE WAY HE later mentions(and, 'the limit'? KNOWLEDGE thaet there is actually an inside to human life) when you manage to fall-in with a group of like-minded peopleIN AN ARTIFICIALLY IGNORANT BOURGEOIS STAGE PLAY.
In this sense: 1. it is almost unimagineable where he is finding these kinds of people in real life in SEOUL, it is not clear there is actually,such,a group there ever in history actually because to dress in this military dress-ed-downness with no hint of fashion on it at all is just a dream HONG HIMSELF MAY LIVE(because there's nobody, HONG! with a brain makes those choices really not now and not then either actually but in 2011, in LONDON::::2. it was possible to be this kind of BOURGEOIS PERSON with no adult life and think all this mezcla around you is some kind of NOVEL(running out, as it did for everybody,against the changing of buses, time-schedules, traffic, difficulty finding houseing! and all what then after such a meeting occurs in the lap of luxury becomes the hard-reality of a shitty city like LONDON, which is really NOT THE STORY OF EVERY SINGLE 'world-city imbrication' at any time in history because, 3. while it is POSSIBLE TO SAY THE PAST IS STILL A VIABLE PRESENT FOR MANY PEOPLE IT IS NOT THE CASE THAET IN TWNTY 26!it is NOT! possible to delude oneself thaet their life-becoming is artistic. Which is why this film sucks ass now and could ONCE UPON A TIME IN HOLLYWOOD have been CONSIDERED his greatest achievement(to put on camera a love life thaet made sense to no longer be achievement for either of the parties that resigned themselves to being nothing ness). AND PLAYING A PIANO like this amounts to nothing, it is actually a disgusting thought1.
i.e., HONG!we you and me,have no 'interior of life' together we are not in love ((any longer!)) and none of your "indeliberate sophisticational ignorantly involved involvements" mean FUCKIN" ANYTHING!AT ALL TO ME, my friend: I can only dream of my own love lifeDISASTER along with you and this photographer thinking I MISSED ALL OF LIFE's chances totally gone now((and your rag-tag philosophy of diamondsANDpearls JUST WASN't EVER the functional INTERIOR OF deleuze)).//////////.[e.g :these two sentences must beconcurrently read back across on e ano t h e r like a Hong sang soo movie film and flick he made them all and is one of histories' greatest artists of love lives in abject spaces •] ↩
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