The end of cinema is bespeaked about the end of the last time you can remember enjoying***, seriously-enjoying, anything at all and that is the last thing Jim Carey would ever say about this film: HE TRIEDxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

to make a movie that would patomime, for the entire culture of American morons, what it means to reconnect with the past through cinema itself and that means that it is not POSSIBLE ANYlonger to imagine reconnecting with a single human soul in this, the most despicable NORTH AMERICAN ENTERPRISE(THAT CALLS(if you can believe it)itself a BASTION OF FREEDOM while BEING THE ABSOLUTE IMPOVERISHMENT OF ALL CULTURAL REFLECTION AND ABSOLUTE FUCKING INSANITY OF POLICE-STATE brutality****(and that is the seriousness of this issue, particularly as it pertains to this film that is nothing but all illegal junkets through what would be initially apprehended in NO GOOD HUMOUR AT ALL and stowed-away in PRISON for probably the rest of their NATURAL-BORN LIVES(and I doubt there is a single loser-AMERICANO that believes that that IS NOT THE APPROPRIATE PENALTY FOR Stealing(and it is really just borrowing because he would always, IN HIS BRAIN, think to return it with FAVOR to the person that 'lent it to me for the comedy show because he really did steal this car he called it for the funny of the entire fucking show and that is why, when the police figured-out WHO STOLE IT:THEY SIMPLY, as ANY-FUCKIN'-BODY SHOULD---LAUGHED THEIR ASSES OFF.).).)...

So, the truth of this movie is that it is a cinematic re-encounter with the past of the '90s in which the original sin(Dumb AND DUMBerer(because Carey is no mother-fuckin' fool, he KNEW it would be tantamount to a penalty on his mind if he ever thought to apprehend this girl and sweep-her-off-her FEET the way he wanted a film with HIM IN IT to do it), which is totally and recklessly the thing a person with any will-power, fame or fortune should try to do. But, when she discovered she had been cast into that movie in order to play the fool for his romantic aspirations on her, she said to him"Listen, if you WANT to FUCK ME? YEAH, that's what the slut said" and he just cut her off and said, that's the end of the romance for me I thought you were made of something not slut material and though you are hot as shit I will still finish this movie as if it were a real aspiration of mine to fuck you in the asshole the whole time it goes on. BUT: and this is the final episode of this reveal on the cinematic nature of cinema that most every.single.'reviewer' these days, and that includes even, for the most part, this site itself(indulging, endlessly, ON THE ROMANTIC ASPECT of the philo-politico-potentiality of FILM that most all the FRENCH NEW Wave people understood totally was not anything but MANUFACTURING A zombie culture of war-worship at that time most French cared a shit for Rohmer and Truffaut and Godard who, Godard that is, HEMADE IT SO impossible to understand his movies that, even to this day the appropriate SYNTHESIS of his films back into the cultural-melieu has not been WRITTEN(although it is generally understood incorrectly(which is contrary to what these people would like to themselves believe)as IRRITATING TO WATCH TO THE nth DEGREE(although it IS PRECISELY the irritation itself that is the end-point for realizing what it is he is RATIONALLY TRYING TO TELL YOU(and really Deleuze understood this ((not)) but even though he conceptualized the whole shebang in his CRYSTAL THEORY OF Vertov's Man with a Movie Camera(1929) he wrote it such that he never really understood fully what the FRENCH NEW Wave were doing(which is to say he grasped they were not action images not time images and, when he stumbled a bit on his CRySTAL theory, he said to himself"I can no longer appreciate messaging-me-through-the-screen, we all agreed that is not the function, ACTUALLY of this stupid, DUMB MEDiuM. And, yet, that is what most of cinema, today, is about for people reading off the language of philosophy to understand what it is about cinema that makes no sense to the average viewer but, that, with, intrepid, intropsectionality, makes, a viewer, the most, sophisticated mother-fucker on earth is what most of people realize because if you can produce a text that is indexed properly by the BIG SEARCH ENGINES(and this site has only managed to register two and that is barely at all atually not indexed really, but exact-word lucky-star-ed***)the reach of cinema across the globe is EXTENSION THROUGH LANGUAGE ITSELF THEN**** AND then? THEN YOU CAN MAKE A POINT THAT THE francais nouvelle VAGUE could respect totally and that is the actual purpose of this film-website in the end the original essay for DUMMIES doesn't cut the mustard for JIM CAREY HIMSELF(who mentioned that it sucked-ass :-)

AND SO HERE, BUDDY, THIS IS FOR YOU LOT THAT RESPECT ME BUT NOT what I write about::::we all understand you were the canuck of all time here in the UNITED STATOS OF MEXICAN ORIGIN TODAY in 2025; BUT::::THE TRUTH OF Carey is that HE**** never really became American and, like Candy and Martin just resigned to the aloof factoid that life in America is mostly fuckin' A-GRADE GARBAGE right-wing political ideology at HEART and there's almost nothing to do here if you're a regular person other than simply RESIGN YOURSELF TO THE nothing-burger of a police-STATOID(cause it is not actually a state in conception it believes itself to be government-FREEDOM ITSELF that is paramound in this territory(and this is written in TEXAS, the most ideologically pure distillation of this night-mare these people here are nothing more than soviet-unionists that really and truly believe in STATE REPRESSION OF ALL FREEEDOMS as the de facto FREE ing of the states from the king of England(capital because HE is NOW A SERIOUS PERSONbarNONE) while itself BECOMING THE endeavorance of kings in the most petty of people(even lawn-gardners with NO EDUCATION qualify for the merit of total American when they use their guns as speech devices to relegate ALL CONSITUTIONAL BEHAVIOR to the aspect of freedom frooooom**************every single loser one would ever encounter, as the pathologization of americans' defunct understanding of criminality as absolutely authorized anti-social paranoia and refual to COOPERATE at all on anything and the least offence is a killing directive for these people that truly think having a big truck and A MEXICAN CARTEL FOR A POLICE-FORCE is the safest route to protecting AMERICANS' WHITE HEGEMONIC understanding not but CONCEPTUALIZATION of the RIGHT 'wings' of REPUBLICAN statehood as anything other than piecemeal PLACEHOLDERS for a TERRITORIAL CONCEPT OF THE declaration of INDEPENDENCE manifest destiny in each and every single human being in that territory as an animal-kingdom!!!!((((.

AND, SO, if you stayed here this long: ****that**** is the rejoinder to CAREY'S 'work'? No: to his concept of comedy which is transcendental to the highest degree now so much so that, for the third dumb and dumber installment he thinks he might have eggs talking to one-another on the way to slaughtering their egg-identities and that means this essay is done.

Unlesssss.......you think Carey and Daniels succeeded. Then, since it is the truth, actually they did manage to do just what it says above although its such a missed opportunity to reconnect with a culture that actually has NONE OF WHAT THE FILM CONTAINS WITHIN IT. SO, yeah, it's a misnomer to call it a success when all reviewers never mentioned that fact at all and culture just wondered-around on hypothesizing which whas the best etc and that brings to the fore what Hannah Arendt said about cultural commodities, which is that all things pass on from the present into which they are produced and received to one of being commodities in a cultural sphere run and organized for the production of moneyed people that think they are cooler than thou about everything in the world. And while that almost****PERTAINS to Jim Carey himself BUT NOT(if you believe it) to Jeff Daniels(because Jeff understood, when he made the PHENOMENAL HBO SERIES The Newsroom(which happened when Weinstein still ran it as a proper culture outlet;'cause they don't make anything, bascially, any longer but comedy for kids and that does not pertain to SUCCESSION(but the thing with that is it is an APPROPRIATE ending for culture as a whole between the EUROPEAN AND AMERICAN ARISTOCRAT(and europe will not win the SHOW unless it wizens-up about moral self-definitions beyond the tract of LIBERTY-style(which made sense in the shadow of the world terrorists in the US of A but that no longer cuts the mustard as a total hegemony on that because there ARE RIGHTS the we are ENDOWED-with by a fictional something that determines what comes out in what way here on EARTHLING's only rock to persist on for now as a defunct species that no longer TRIES AT ALL what Jim and Jeff did: SPECTACULARIZE culture to make it true(trademarked statement, like Nike: Just Do IT!).(((((!

So: it was true for me what he did and that ***WAS***enough(at the time). And, while that's generally all a person with an art-project can usually hope for, seeds of potentialization-across-the-public-that-views-them-that-WHO-KNOWS-when-they'll-ever-if-ever-bear-fruit; its also true that they didn't save cinema by PRODUCING THEIR FUNNY CULTURE that would care to go to the cinema and, like in 1994, LAUGH TOGETHER; and neither has anyone else bothered to try to save it, because without that medium, we, and particularly the American westernized atomized-diasporical suburbicon, is seriously fucked on imaginationabilities. And while that might sound stupidly academic::::it's just the case that the alternative to a film-substrated moving-image is video-star system stuff that fans the flames of the American hegemonic model of animal-farming people for the forseeable future these people in tech-land are so smitten with control they could care the fuck less if you or your family lives while they die suffocating in a cave. So, yeah, we do gotta get friendly again and remember it wasn't always this fuckin' lame and that the end-times, while they are right on top of us now are also a potential for reformation across the cinema and PUBLIC SPHERE that not only would engender a novel and more interesting public-life(once privacy is actually respected carte-fuckin' TOTAL and the limits of government and the law-enforce your life to dog-smittten shit system basically broad-brush swept-away to refound a freedom-based world in which comedy can play, again, a true role as the only redeeming function between people of ideological in-dispositional frameworked resistance to sanity when nothing makes any sense any longer its laugh or die trying to kill the other enemy);BUT: also restore sanity to the RIGHTS framework(again, beyond 'liberty', which is the cancer of the U.S.A. as well) that the EUROPEAN ENLIGHTENMENT HAS BESTOWED US ALL WITH in the form of the most beautiful, wonderful works of artistic academic disposition the world(or any)could ever hope for(which is why Europe, while still free and a place for freedom-enterprising--if you like starting a hair-dresser outlet in a farming community--is at the present the bulwark(if you can believe that) against American scum's ability to breed and fester like insects which they cannot do in the eden over there). AND THAT IS WHY WE NEED TO FOCUS ON THINGS like this fuckin' a-grade movie. 'cause european stultifying similtude? THAT is A-grade fuckin' garbage.