Cinemicity

CINEMA DELIGHTS.

More Cinematicity

HERE is SLOTERDIJK's answer to what a table IS:

Jacques RANCIERE? Got one thing right about the CLAMOUR for the STARS.

Peter!SlaughterDIK?!was the primo-fashion-maker for all these ENFANTS terrible

What the MAJORITY of 'brains' QUOTE THat ARE 'one'!Bingo!!!

Tay man swipe this guys dick for a hairraising moment of his life and he'll ALWAYS DELIVER THE JEW BS. SHIT TOTAL TRUE BUD.

The Fakest! Lookin' BunchaTrash in the Known Universe?

ROCKY 2: What Fuckin' DOGSHIT

Cinema: A Secular Philosophical Machine?

CERTAIN TRASH Jenn. Law is definite pander on faking life so hard it comes out your ugly face all day and night

The INCOMPARABLE ROBERT REDFORD?

Out Of AfriCA::::1985)))))the BEST film`*****`EVER yet accomplish-eD/\.\

Beauty?The ENGRAVENimage of Beauty and the BEAST!

Counting CROWES: across the wire REVIEW in twenty-twentyFIVE/Four and THREE baby!!!!!!

I JUST can't WAIT`*`TO be KING: The Lion King(1994.)/./././././.

SNEAKERS(pre-MISSION IMPOSSIBLE for sure(1992, REDFORD's Geriatric DREAM machinal/

Tatanka "there's more native american in Dances with WOLVES thaen the YANKEES ever didn't pay fealty to.

THEY made a liberal nightmare so people didn't have to look shitty on TELEVISION they say.

"I GO/o/T IT MY MAN", (I just CANNOT fuckin' S-T-A-N-D|\runnin' game (in my. own. HOME. TOWN, for CHRISTS'SAKES/."--ROCKY BALBOA.))/.

The GREAT? NO: pathetic escape of JOHN TRAVOLTA from LIFE?????

Gone with the WINDER. Clark GABLE is REVOLTING TRASH.

HErEsz' LOOKin' at YOUKID,supposed ta bEROMANTIC?al?/NO! NOt for a BITCH!

CASABLANCA on laser discer?THE epitome of old-school COOL.

A river actually RUNS OUT OF THE UNITED STATES mrREDFORD

JURASS

Einstein says

Film in Cinemas Is the standard! You fuckin' MORONS .

WHAT IS THE broadcasting RECOMMENDATION for the FUTURE:LASERDISC!

SO:Since melGIBson refused to give me specifically COPYright\

PULpFiCitinOon\Yeauha\u\H\~I made it splash tanight over at the diner scene\

CLINGinGtoaBROADCAST standard for the CINEMA at HOME? Well.....

SlumDOG!Millionaire REVIEW infive acts of faith deprivational insighting.

THE stupidest DECISION to MAKE? TRY publishing YOUR OWN aristocratic CONTENT!

AnotherDAY;A nNoOtThE\r\TIME|<<<------

Review: Listen to Me <br>, Marlon!!!!Mother,fuckin' MARLON!!!!

THE END of negativity(lol) and the Last of Mohican DisGraCeE\\\'\.|\|

The Last of the Mohicanz.

Planes, Trains, and the Marketing-MAN of the UBER-`80s ActualCOOL!

THE END OF CINEMA IN oppyHEIMER? BASICALLY the reason it gets TOP PRIZE as BEST FILM IN HISTORY.....

(Untitled) asfkasdhlfkjhasdfasdflkjh .........dfjsdkertaasdfsdlkaf sdfDJf clala la lala.....................

Barely ABOUT Ethan Hawke’s Before Sunset Trilogization of his FANTASY life

THE COOLEST TITLE OF ALL: WORKING FOR A LIVING IN CINEMA

What the 'Space Needle' BODED ABOUT THE END OF ARCHITECTURE:

Favreauz funexplained as liberal-historyMAKING

DriveAWAYDolls: PLEASE eat some other pussy

DAVE mathews was `****`NEVER`````a sell-out

Mallermé's INJust Translational Faux-pas

Freedom of the Super-Crowd? Not if it pertains on a tech-loser's DREAM"quote!!!!

CLOSER(2004), Natalie's FRAME shot and TAKE

Stillwater Ain't Fucked Small Said Damon

BabyGirl! Who Knows What's After Minute 3:03 KIDMAN my laugh track is more famous than you

To Catch a Killing Machine? America can avoid it but for me alone in this world.

On Fame: from Monroe to NOTHING at all but selling your cleavage.

10-Point System on Figgerin' Out the Cinema of the UBER-WEALTHY

Poolman: Unwatcheable Garbage Fire if you keep keeping watching it burn

What is Science-Fiction About Star Trek? Nothing.

Dumb and Dumber To: a Cinematic Encounter with an Old Friend (and with 1994)

Blade Runner Redux, Kierkegaard's Living Shame.

Blade-Running 2049 without a Prayer of any kind or shape of sense.

The Insufferable IDEOLOGICAL CAPTURE REGIME OF jungly Cruiser

AVENUE 5 Cinque-Terre in the FUCKIN' ATMOSPHERE OF DYNAMIC INTELLECTUAL IMBECILITY

Coiffuring the Culture of MisConduct Surrounding Emily Blunt's Pathetic Performance

1995's Sensibility and Sense of Ang Lee's Understanding of Joyce

The duchess, a Supremely Beautiful Movie

Arthur the KING: DEFUNCT Wahlberg Cultural IConoGraph

Press Play, Part One: SMOKING AS A radical ACT

In Brief: Gran Turismo

Review: Dune, Part Two

Contemplating Film Cinema

Ghost and The Superman

The Iron Claw of Life: Selective Infinities

In Short: Addressing the Contrived Oppenheimner Controversy

The Creator: Chappie's Dingleberry

Dungeons and Dragons: Honor Among Thieves

Don't Worry Darling: Towards Dysjunctive Gender Subterfuge

Starship Troopers: Responsbility of the Citizen

Don't Look Up: Bring On The Comet

In Brief: Tenet

Tunna Blå Linjen: Becoming The Future

Gösta: recovering the communal from out of liberalism's failed romantic

In a Valley of Violence: The Reluctant Western

The Self-Neutered Political Potential of Joker

Tesla: Out of Time

Another Round: Overcoming the Liberal Double-Bind

The Tiger King: American Culture Unbound

Things To Come: liberalism's confrontation with old age

Billy Lynn's Long Halftime Walk: undermining the American (cinematic) war machine

Loveless: cynical pseudo-philosophy of love or profound cinematic critique of romance?

Fiore: expressing the distraction, refusal, and individualism of (liberal) European life.

Gushing Praise for George Clooney's Suburbicon

The Amoral Liberal 'Dreams' of La La Land

Dancing in the Dust: towards the cultural specificity of abject life (between Asghar Farhadi and Hong Sang-so)

Asgar Farhadi's Beautiful City: some real insight into Islamic culture and society

The Endless Present: Life and Passengers

In Brief: Money Monster

Western Mythology and the NTSB of Clint Eastwood's Sully

Hong Sang-soo's Woman Is The Future Of Man

Running the Sahara: the most uninspiring endeavor yet recorded in human history

Whiplash: The Purification of Art According to Liberal Ideology

The Salvation: Towards a Conception of European-American Cultural Differentiation

In Brief: The Accountant

CASABLANCA on laser discer?THE epitome of old-school COOL.

AND THAT* SHOULD BE THE END OF THE CONVERSATION on this problem: laser discerszARE THE ONLY FORMAT! THAT WILL EVER RESURRECT the entirety of the CINEMATIC 'back-catalogue' these moronszCALL IT. NO CHANGES NECESSARY but for CINEMA style YOU NEED TO learn how to view the lettboxed? study the image and

by A Contributor

AND THAT* SHOULD BE THE END OF THE CONVERSATION on this problem: laser discerszARE THE ONLY FORMAT! THAT WILL EVER RESURRECT the entirety of the CINEMATIC 'back-catalogue' these moronszCALL IT. NO CHANGES NECESSARY but for CINEMA style YOU NEED TO learn how to view the lettboxed? study the image and then GAMifYit(which means: choose the proper settings for a full-image display of the crop-sensor of thiese laser-disc profile-maker systemalsz(:it IS NOT A square obviously) and press fuckin' PLAY).

SO: "HERE IS A SCENE" from [blank idea] thaet is cropped to show you the lessons to learn on FIGURING OUT HOW TO learn CINEMATICAL instructibilities writ larger that JOHN ford ever conceived of hisself same self never understood it was about STYLE-guiding an immoveable OBJECT(which HE!never thought to conceive of AS(no:straight NOT AS)manufactedAUTHorship? NO: authenticity itself is what is possible to CONCEIVE of with CINEMA.)/. AND SO: again, when it comes to understanding how to view WILLOW in LETTERBOX: change the settings to GAME(on a PANASONIC plasma VIERA televison screen which you NEED TO USE , and just thank the person made all these worthless lettershitszSOMETHING SPECIAL TO LEARN FROM(cause the truth of discer actually is thaet there is alot to derive from these digital CELLULOIDSz thaet isn't properly possible to do now without a total reworking of the format cause I STOOP so LOW as to even grant this world the ability to watch CINEMATIC! on DVD(which is HIGH-andLOW the lowliest way to watch DON GIOVANNI! on COMPONENT output, offset to the right black bar there, and no STRETCH or nuthin more. ;/But there are not many to do it with thaet way?

NO: all of them can produce it if you are seriously sick of BLU-ray trash? IT IS essentially so reminiscent of a dead-life once you start with discer it will make no sense to withdraw to a 'film fuckin' NIGHT'(vomit gag holey fuckin shit it sucks to watch a film; UNLESS you want to experiment further with discer? LASERDISC(tm) and suss-out all the cool ways to watch that digital CELLULOID which means check the original STAR WARS on NON-letterbox(not a bad idea for the FIRST ONE ALONE and mayne the second as well but the third IS JEWISH TRASH thaet is UNSPEAKably BAD it is so uninspiring what that rat-faced fuck did to make thaet movie its no wonder we've been left watchin this same fuckin' FLICK off this piece of trash for 50-fuckin'-years? NO watch it on letterbox and use VIVID settings and see if you can imagine watching the SMALLEST cinema SCREEN IN HUMAN history if YOU CAN then you are better at phenomenology thaen almost every human to have ever lived this author is a fuckin' CRACK SHOT ON THESE SETTINGS bye bye this essay was just to resurrect the notion of a total return to LASERDISC(tm).).

AND THIS:
is how NICE the nigger INGRIG bergman sat with during this filming sequence would have said most people until this image revealed HOW FUCKIN' A nice SHE WAS!(and the nigger"quote?SO OLD SCHOOL, he don't rate as nothing but SERIOUS(WHICH IS yet another way to say "NIGGER actualNIGGER!/"/dead.serious. )\/./.