Cinemicity

film & culture

More Cinematicity

The Idiots Guide to Cinematicity

The Subtle Establishment Propaganda of Homeland

Time Out-of-Order, and an Actual Experience of Time in Hong Sang-soo's Hill of Freedom

Interstellar and Event: Producing the Future

The Dark Church of Cinema

What The Big Short is Not

The Revisionist 'Conservative' Ideology of Billions

Dinosaur 13 and Criminal Ideology

In the Moment of Musical and Cultural Transformation with HBO's Vinyl (or Inside Richie Finestra)

Dark Matter: the political and social significance of cinema in Hail, Caeser!

Birdman: precisely what Robert Altman's Short Cuts is missing

Woody Allen's Radio Days and The Vast Forgotten Imagination of Radio

Woody Allen's The Purple Rose of Cairo and The Reality of Cinematic Dreams

Bloodline: A Series Gone Awry Produces Some Tolerable Side-Effects

Hong Sang-Soo's Right Now, Wrong Then: Fortune Springs From The Inside?

The Night Of: Elevating The Ordinary

In Brief: Woody Allen's Café Society

Second Look: The Night Of

In Brief: Captain Fantastic

In Brief: Lo and Behold, Reveries of a Connected World

In Brief: The Magnificent Seven

In Brief: The Arrival

Rogue One: truly, a Star Wars story

Aside: Kubo and the two strings

In Brief: The Accountant

The Salvation: Towards a Conception of European-American Cultural Differentiation

Whiplash: The Purification of Art According to Liberal Ideology

Running the Sahara: the most uninspiring endeavor yet recorded in human history

Hong Sang-soo's Woman Is The Future Of Man

Western Mythology and the NTSB of Clint Eastwood's Sully

In Brief: Money Monster

The Endless Present: Life and Passengers

Asgar Farhadi's Beautiful City: some real insight into Islamic culture and society

Dancing in the Dust: towards the cultural specificity of abject life (between Asghar Farhadi and Hong Sang-so)

The Amoral Liberal 'Dreams' of La La Land

Gushing Praise for George Clooney's Suburbicon

Fiore: expressing the distraction, refusal, and individualism of (liberal) European life.

Loveless: cynical pseudo-philosophy of love or profound cinematic critique of romance?

Billy Lynn's Long Halftime Walk: undermining the American (cinematic) war machine

Things To Come: liberalism's confrontation with old age

The Tiger King: American Culture Unbound

Another Round: Overcoming the Liberal Double-Bind

Tesla: Out of Time

The Self-Neutered Political Potential of Joker

In a Valley of Violence: The Reluctant Western

Gösta: recovering the communal from out of liberalism's failed romantic

Tunna Blå Linjen: Becoming The Future

In Brief: Tenet

Don't Look Up: Bring On The Comet

Starship Troopers: Responsbility of the Citizen

The GREAT? NO: pathetic escape of JOHN TRAVOLTA from LIFE?????

THE final word on both THE greatest small plot to leave BRITAIN; and the best SARAJEVAN film ever:::::Scream for me sarajevo(2016, at the end thanks).xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

by The Editor

THE final word on both THE greatest small plot to leave BRITAIN; and the best SARAJEVAN film ever:::::Scream for me sarajevo(2016, at the end thanks).xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

This image above is the total reason*THERE IS NOBODY wants to remake this film any longer because it is true thaet it is BEYOND what is acceptable COMEDY for something that WAS a true WAR CRIMINAL act. And I can leave it to the reader to determine WHO MADE THE CRIME IN THIS VERY FILM ITSELF because the saddest fact of post-(/11 is thaet it isn't even possible now to write about WW.. You know the interleaver on this world now is so TRUTHbased thaet it believes in its own fact-making ability which is the same as saying if YOU DO ANYTHING AT ALL thaet trasgresses the authority of its CODING which is the responsibility of GOOGLE now(it is what it is in this world these tech-scum never don't see a REASON to make a dollar which is also where THIS FILM goes way off its source material because as anyone will imagine the way this presents on ***LASERdiscer is thaet these comedians all have it large in this campe for some reason or another and thaet isn't involved in the explanation in the film at all and the REASON for it is thaet YOKIM wants to know how the fuck a certain JEW NAZI got cast into the film itself and THAET is because this is ACTUALLY a treason on the UNITED STATES actions in the war thaet this person(surely, as will be discussed:::mustMUUST/'ve/believed in his deepest heart this world would not tolerate its FILM.(and the only thing you can base thaet on in this laserdiscer viewing is the closeness of the time period to the filming itself and it reveals a strange warmth(thaet actually seems to have existed between GERMANS and AMERICANS at heart even though they couldn't GET ALONG FOR WHATEVER REASON?NO!the reason was clear at the time thaet this was an ideological crusade thaet was going to begin and end with AMERICANs becoming the world largest scum-festival.))which does BUTTRESS the argument presented here thaet would have been the potential thinking of a thinking and MORAL person at any time in history actually because it is A FACT:::::bearing all injuries is the default response of a VALOR seeking culture. And if you can find valor in these scheming fucking morons, I'm just so sorry I CANNOT DO IT, my answer to the teaboy::::"go in an shoot a few of these mother fuckers lest they think to tumble some fuckin' wood pieces off into your eyesz so they can try another jump on the no-mans' land fence again without gettin' shot ta pieces is what MCqueen thought himself(I imageine, he' looks straight cool'''''')

BUT THIS is the same strange story I GOT with SCREAM FOR ME sarajevo::::How the fuck this band got into a city under siege I COULDN"T FATHOM and neither could any of the BOSNIANS I went to see it with on release-screening who knows in SARAJEVO some number of years ago (2016/2018 film festival there I LIVED THERE and that is why I speak candidly it is like a second home I lived like 10-fuckin' years there without speaking a lick of bosniak which is not the truth actually I could manage it anyway)cause its also the case its a propaganda film itself thaet recasts roles NOBODY likes one bit this UN shit man and he's lead cool in the film? fuck thaet said anyone who went to his trucks to get food(at least that's how I understand the waltz down through those train cars from Dobrinja to the city there or wherever it started up there by the mile long building or something I don't know it didn't go the distance but who knows.....it's just falsely covering over and MAKING A decision seem necessary on film thaet they couldn't get the HELICOPTER in there I MEAN ITS OBVIOUS they're all titdly winking and acting thaet its the truth its too heavy under-fire then when its really THAET ITS TOO *obviously generous(and exposing thaet it is thaet much NOT WHAT MEGADEATH has been told about it, even if we do not know why they had a tunnel for chocolates and stories under the airport when in fact they could just drive down in on a lorry to get food into the place....right, which makes the seige seem COOPERATIVE (writ large snipers tourism was a fuckin' THING THEN just sittin' over the city bussed in from FUCKIN' BELGRADE, if not far afonder in PARIS????!) fuck these scum sucking WESTERNERS would say anyone when YOU DO.when you realize it was organized this way for years????? YOU decide whaet it really is watch the film it is FANTASTIC and is the OWN on STEVEN mcQUEENSs'cool.man.vibe(he can put out for about a minute or two before he's the guy you find in a pack of chewing gum.))))))))...\
[(the above image is a still image from MY OWN COPY i purchased of this fantastic FILM).