Cinemicity

film & culture

More Cinematicity

The Idiots Guide to Cinematicity

The Subtle Establishment Propaganda of Homeland

Time Out-of-Order, and an Actual Experience of Time in Hong Sang-soo's Hill of Freedom

Interstellar and Event: Producing the Future

The Dark Church of Cinema

What The Big Short is Not

The Revisionist 'Conservative' Ideology of Billions

Dinosaur 13 and Criminal Ideology

In the Moment of Musical and Cultural Transformation with HBO's Vinyl (or Inside Richie Finestra)

Dark Matter: the political and social significance of cinema in Hail, Caeser!

Birdman: precisely what Robert Altman's Short Cuts is missing

Woody Allen's Radio Days and The Vast Forgotten Imagination of Radio

Woody Allen's The Purple Rose of Cairo and The Reality of Cinematic Dreams

Bloodline: A Series Gone Awry Produces Some Tolerable Side-Effects

Hong Sang-Soo's Right Now, Wrong Then: Fortune Springs From The Inside?

The Night Of: Elevating The Ordinary

In Brief: Woody Allen's Café Society

Second Look: The Night Of

In Brief: Captain Fantastic

In Brief: Lo and Behold, Reveries of a Connected World

In Brief: The Magnificent Seven

In Brief: The Arrival

Rogue One: truly, a Star Wars story

Aside: Kubo and the two strings

In Brief: The Accountant

The Salvation: Towards a Conception of European-American Cultural Differentiation

Whiplash: The Purification of Art According to Liberal Ideology

Running the Sahara: the most uninspiring endeavor yet recorded in human history

Hong Sang-soo's Woman Is The Future Of Man

Western Mythology and the NTSB of Clint Eastwood's Sully

In Brief: Money Monster

The Endless Present: Life and Passengers

Asgar Farhadi's Beautiful City: some real insight into Islamic culture and society

Dancing in the Dust: towards the cultural specificity of abject life (between Asghar Farhadi and Hong Sang-so)

The Amoral Liberal 'Dreams' of La La Land

Gushing Praise for George Clooney's Suburbicon

Fiore: expressing the distraction, refusal, and individualism of (liberal) European life.

Loveless: cynical pseudo-philosophy of love or profound cinematic critique of romance?

Billy Lynn's Long Halftime Walk: undermining the American (cinematic) war machine

Things To Come: liberalism's confrontation with old age

The Tiger King: American Culture Unbound

Another Round: Overcoming the Liberal Double-Bind

Tesla: Out of Time

The Self-Neutered Political Potential of Joker

In a Valley of Violence: The Reluctant Western

Gösta: recovering the communal from out of liberalism's failed romantic

Tunna Blå Linjen: Becoming The Future

In Brief: Tenet

Don't Look Up: Bring On The Comet

Starship Troopers: Responsbility of the Citizen

Tatanka "there's more native american in Dances with WOLVES thaen the YANKEES ever didn't pay fealty to.

A short diatribe on the northern ers' sad compensation syndrome when it comes to speaking in a fuckin' slang sling and slaughterhouse 9 LINGO that nobody didn't think was actual dialectical PORTUGESE.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

by The Editor

A short diatribe on the northern ers' sad compensation syndrome when it comes to speaking in a fuckin' slang sling and slaughterhouse 9 LINGO that nobody didn't think was actual dialectical PORTUGESE.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

And so: while Kevin Costner may have done his merry best to abutt!the wholeness of the present of 1990(Dances with Wolverines is whaet he probably thought about most of all surrounded as he was with all these natives!(just like most Yanks, at the time, thought probably just as well when faced with nonsense at the very heart of PAGANism left to breed fallow on the wide-open NEBRASKA corn huskin'GREAT Plains Of The United States OF* AMERICA(sorry dirt worshippers but ): ABUTTING the totality of the cinematic FORM(which is the picture COSTNER would PROBABLY think about it this waybecause it is NOT clear how much anyone can understand about the mythos of the WIDE OPEN SPACES thaet confronted the 'settlers' then(pictured below)and (Costner could need a four hundred string orchestra to lay out a track on just about anything NOT:::::what he DID accomplish is, for just a moment, giveing the UNITED STATES's,',//yankee// FLAG-BEARING potential for just a momentary glimpse of how fuckin' moronic that thought really and truly is there is no serious way to CONTEMPLATE the through on the past of this country weaving a wicker basket of love and affection of the best of the best spirit within the human-being itself which is all the UNITED STATES yankee really wants to sell this world when it ponders itself weak and weary over and against the backdrop of all the fuckin' LOOT right there in the vista blowing itself straight into the back of the mind of anyone trying to make a life of luxury out of stampede metaphor(which IS the angel of history united with the spirit of liberational POTENTIALIZATION meted with the vastness of the outdoors FRONTIER plains actually what JOHN FUCKIN' Ford found out about was he could just lay a camera on the ground out there and film the fuckin' dust and people would nut in their seats for YET ANOTHER 48er gold rush shit story of moronic ENVY bas-ed lifestyle which is TRULY the true of truth of true CINEMA. In any case, the conversation is thaet the U.S.A is CONSTITUTIONAL, which, to let you know, is just the end of the debate on the necessity to always ground the country in history or culture or whatnot:::::it is grounded when it FINDS ITs actual FRAME of mind in which ALL RIGHTS of a free people are understandable and that IS NOT what the situation is now, people probably DO NEED a dance with a fuckin' wolf to get the photograph on the truth of this film cause nobody is going to make the truth of the past of AMERICA base itself in NATIVE AMERICAN rights unless you are actually sick and tired of the FUCKIN' YANKEE then I WILL GO OVER AND TALK TO THESE HEATHENS and make peace so I CAN HAVE A SERIOUS LEVEL OF INTRIGUE in this world bye bye and MAYBE just maybe it will also be, as with Dances with Wolves(1990) best when it evokes the insurrmountability of thaet problem as the truth of itself: just a fag on the Canyon Rim with a Camera trying his level best to get a point of any kind past the ass-scratchin' asshole sat watchin' his master craft(so he MUST(and we all do need lucky-strikers out there hittin' paydirt on a stunted philosophical frame to make any progress)THINK).

So: thanks for the total truth on THE FUCKIN' so-called Wild West, Mr. Costner, hope you enjoyed shooting and leaving your own tatankas skinned for shit on the plains.

FOOTNOTe\\\:\

(and::::::JOHN foRd-Oh-FantabulusticalERalityMANderpussy\slim\skimp\dimpy\gruff\? Couldn'ta gotten a HANDLE---Yes, a HANDLE--\on this HERE shit, eyether.\R.)./.