What This Magazine('Variety' lol) does for you('actors') is Nothing

more spacefor the presentation of the Indivisble beauty of the individual (did Think"quote it Anna Wintours herself the hag she is) cause no MAG. is a mag. without presenting Its OWNmost case and these two? yeah, along with wvery singleother 'cover'(and what's inside one PRESUMES is worse(CAUSE I WO

The NewsROOM(2012-). ABSOLUTE FUCKIN' trash now in 2025.

There's no way to imagineING init, Mr. SOCKCAN? NO: this is the witless level of intrigue the CIA. HAS For this world.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

Hong SANG-soo's THE WOMAN WHO RAN the show!(2021).

And, so:::IT,was,with APLOMB!thaet I STILL CAN RESIST THE URGE TO SHIT ON THIS WORLD THANKS TO HONG sang-soo's GERMAN identity complex.

He does seem to see in this world? A good-dealMORE-thAeN/is/I/n//_//it//. CAUSE::::the trouble with analyzing his FILMS*is thaet he does NOT care too much what you

"CINEMA" in 2025: EXCLUSIVE all-total every bit of it: NAZ.

The long-winded answer to the FINAL QUESTION HITneyLOVEjoy never asked before HE WAS UNCEREMONIOUSLY destroyed by FLAK MATTER in his home.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

> DELPY's Point With ETHAN? HE IS *not*that! attractive for god's sakes.

AND THAT----IS----her, EUROPEAN! excuse.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

> ANTHONY hopkin,jr. RIP. PAL i doubt you'll be hear to even read this one.

I don't work a culture beat. MMM, kay? NOT okay cause the also-truth of writing into this 'space'IS THAET::::it is NOT THE END OF THE ESSaysz;that are important, but the feel of them all taken-together.

And, so, when it comes to ANTHONY JONESHopSKIPandJUMPto PSYCHOSIS?Even in a short-interview with

THE Fugitive(1993): Conflicting NOTIONS OF JUSTICE "at PLAY my FRIEND."

Yeah: And this is HARRISON FOrD's LIMOUSINE and my monkey-driver a fuckin' FULL-blown PhD.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

Forrest GUMP(1994).

STANDARD color on a COMPUTER?????NO: a publishing scary-GIME(i.e., REGIME!!!!)?NO: but a stupid question to wonder forever about when the FACTS are in your fuckin' EYEBALLS mr. SCRUMP. False-coloring a website is FOCUS.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

ANAtomYof A CRIMINAL ENDEAVOUR TO refactor AMBITION for HARVARD.

And, that:is what you can contemplate about this FILM. THESE people think it is SO LAUGH-tracky to make hay on cinema now they do PRETEND IT IS THE DEMOCRATIC Principe.ITzelf. CONSUMER-facing MANUFACTURING OF THOUGHTS for douche-bag CONSUMPTION is whaet\AFFLECkted BITCH, did, thunk on this piece.\xx

Cinema: A Secular Philosophical Machine?

A Deleuzian machine. Which is the same thing as saying it is "producing" effects"""""""""? NO: most of the fools thaet READ deleuzian scribe shit think he is simply the pre-madonna RIGHT to execute a PHILOSOPHICAL treatise with nothing but the MOST RUDIMENTARY conceptual framework, the rest being th

The INCOMPARABLE ROBERT REDFORD?

The GERIATRIC discipline of FILM'reviewing' has today so devolved in standards thaet it no longer even cares that a film*is MEANT TO BE a SURPRISE. THERE IS NOTHING SURPRISING about what the C.i.A. wants to do with LEO diCAPrIO\any longer he is meant to FOMENT a total annihilation complex on AMERICA