Cinemicity

the PULP FICTION corner.

More Cinematicity

THE HERO(2021!(: actually FARHADI missed

Matt DAMON::::"I ain' seen more deers poppin'/n/up/gain/'st/THIS fuckin' Thai\y\m\chan\e\":::::

The Subtle Establishment Propaganda of Homeland

Time Out-of-Order, and an Actual Experience of Time in Hong Sang-soo's Hill of Freedom

What The Big Short is Not

The Revisionist 'Conservative' Ideology of Billions

Dinosaur 13 and Criminal Ideology

In the Moment of Musical and Cultural Transformation with HBO's Vinyl (or Inside Richie Finestra)

Dark Matter: the political and social significance of cinema in Hail, Caeser!

Birdman: precisely what Robert Altman's Short Cuts is missing

Woody Allen's Radio Days and The Vast Forgotten Imagination of Radio

Woody Allen's The Purple Rose of Cairo and The Reality of Cinematic Dreams

Bloodline: A Series Gone Awry Produces Some Tolerable Side-Effects

Hong Sang-Soo's Right Now, Wrong Then: Fortune Springs From The Inside?

The Night Of: Elevating The Ordinary

In Brief: Woody Allen's Café Society

Second Look: The Night Of

In Brief: Captain Fantastic

In Brief: Lo and Behold, Reveries of a Connected World

In Brief: The Magnificent Seven

In Brief: The Arrival

Rogue One: truly, a Star Wars story

Aside: Kubo and the two strings

In Brief: The Accountant

The Salvation: Towards a Conception of European-American Cultural Differentiation

Whiplash: The Purification of Art According to Liberal Ideology

Running the Sahara: the most uninspiring endeavor yet recorded in human history

Hong Sang-soo's Woman Is The Future Of Man

Western Mythology and the NTSB of Clint Eastwood's Sully

In Brief: Money Monster

The Endless Present: Life and Passengers

Dancing in the Dust: towards the cultural specificity of abject life (between Asghar Farhadi and Hong Sang-so)

Gushing Praise for George Clooney's Suburbicon

Fiore: expressing the distraction, refusal, and individualism of (liberal) European life.

Loveless: cynical pseudo-philosophy of love or profound cinematic critique of romance?

Billy Lynn's Long Halftime Walk: undermining the American (cinematic) war machine

Things To Come: liberalism's confrontation with old age

Another Round: Overcoming the Liberal Double-Bind

Tesla: Out of Time

The Self-Neutered Political Potential of Joker

In a Valley of Violence: The Reluctant Western

Gösta: recovering the communal from out of liberalism's failed romantic

Tunna Blå Linjen: Becoming The Future

Don't Look Up: Bring On The Comet

Starship Troopers: Responsbility of the Citizen

Don't Worry Darling: Towards Dysjunctive Gender Subterfuge

Dungeons and Dragons: Honor Among Thieves

In Short: Addressing the Contrived Oppenheimner Controversy

Review: Dune, Part Two

The duchess, a Supremely Beautiful Movie

AVENUE 5 Cinque-Terre in the FUCKIN' ATMOSPHERE OF DYNAMIC INTELLECTUAL IMBECILITY

The Insufferable IDEOLOGICAL CAPTURE REGIME OF jungly Cruiser

Dumb and Dumber To: a Cinematic Encounter with an Old Friend (and with 1994)

What is Science-Fiction About Star Trek? Nothing.

Poolman: Unwatcheable Garbage Fire if you keep keeping watching it burn

To Catch a Killing Machine? America can avoid it but for me alone in this world.

BabyGirl! Who Knows What's After Minute 3:03 KIDMAN my laugh track is more famous than you

CLOSER(2004), Natalie's FRAME shot and TAKE

Barely ABOUT Ethan Hawke’s Before Sunset Trilogization of his FANTASY life

(Untitled) asfkasdhlfkjhasdfasdflkjh .........dfjsdkertaasdfsdlkaf sdfDJf clala la lala.....................

THE cinema THAt(....t]DIDn't ever LEARN:

Planes, Trains, and the Marketing-MAN of the UBER-`80s ActualCOOL!

Mallermé's INJust Translational Faux-pas

NOBODY! on this earth has EVER UNDERSTOOD what the fuck MallARM! had written; least of all ALlAMEBadiou.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

by A Contributor

NOBODY! on this earth has EVER UNDERSTOOD what the fuck MallARM! had written; least of all ALlAMEBadiou.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

THE WHOLE POINT OF THIS IN A NUTSHELL IS THAT A COUPE IS A COUP en ENGLAIS which is how this 'translator' would PREFER to translate that sentence I CAN ASSURE evryBODYs,THIS is*the BRAIN-ROT on translating this person BECAUSE NO ONE understands, lest of all the translational complex surrounding these vaunted, apogeee of all aristocratic beauty-sensibilities FRANCAIS people, those* whom REQUIRE ***FEALTY***on the part of the POSER art-world that knows little more than senseless INTERPRETATIONS of The Avante-GuardeRemonstrations of A* more/\/|refined refinitude than the other guy's false-effort to PAINT with his mouth THAT Mallarme here without the accent egu is noteworthy ON THIS POEM ALONE AND NONE OTHER FOR THE PRELIMINARY SKETCH nowPROVIDED IS ACCESS TO ALL understanding of his other work, whether or not you read it in native french or in English, (you can find the errors you will have the swift-breeze notionalism he blows straight through his works each and every one and SO:::if that doesn't already give you the HINT what it is that's missing if you translate COUPE not as 'cut' not as 'tasse' but as a fucking """"CUP?!! Simply because he is raising his fist to the sky later in the poem with a fuckin' beer-stein???No!It is the COUP that he has begun to win and that will rising tide swell over top the epitome of the artistic talent he will demonstrate to the WORLD!!!on behalf of all those that believe in NOTHING AT ALL even beauty itself is NOT ENOUGHONLYthe lowest common-denomination of MONEY will RULE THE WORLD he will say in his last eulogical imagining of the universe left to the PHENOMENON of The Future which is the beauty of women as sexualized objects in a wonderlust of lavender-hazed skys melting into the world he knows it would ever be if the points of those breasts(he would have said TITS for effin' shur, but..)could ever be recognized**** as pointed heavenly in ALL WAYS ****OTHER THAN**** PORNographicalizing them.

FULL\/STOPAND/\THATISALLTHEREISTOSAYABOUTIT! Flat-Proof that it is no longer acceptable for academics to PILE ONTO EACH AND EVERY SINGLE minute-detail of LIFE with the impetus to surround and CONQUER THE WORLD!!!!!on poetic injustice that masks the true IDENTITY CRISIS these fucking losers have, including this translator that got himself an awfully nice coffee-table book to show his dinner-COMrad's(cause they's all radicalCOOL, not rad'ed to one-another on any single fuckin' thing) CAUSE:::: :::!:::!!!they each and every one totally and flat-simple they now say it like sheep-dongles on this websiteBELIEVE/---that artistry is painting with word-salad concepts(and that is what you have above;(he changed it to a ':' and that IS FINE but it could also be left and a negative placed there somehow;: the translator's very own painting(and this dates from way back when NOT,unless you're retarded for one simple REAsON: Malarmé couldn't have read it in English if he tried BECAUuuuuussSE it was never translated INTO english properly recog'd until UBER-COOL people realized what he could be used for, as Badiou HAS FIGURED OUT////which is the vaunting of eventalization AS THE simple-most permiscuous way of traveling all around the globe for forty years saying precisely nothing but LET'S GET TOGETHER! COMMUNISM, my friendly friends; yeSS: MY FRIENDS!!! IT HAS AN ontology of BEING that networks through time and space to all the shit an actual researcher already knows about BUT THAT, WE, fine BOURGEOIS mal-contents on masochistic self-enjoyment through every single little tiny detail of OUR luxurious little lives(and Mallarmé whahn't poor either but he enjoyed his life a bit more thaen posting on social-media like all of the rich douche-bags thatTODAY THINK THEY ARE THE ARBITERS OF cool on wax-lyrical FOUCAULT(((([[[[)))))((((([and THAT IS ALL HE EVER WILL BE UNTIL SUCH TIME AS someone comprehends these gramatologicalsz]::::

[)))))))))))))))))|((((((((((((((((((].

THE END.

Furtherance of KNOWlEDdGgEeeee:[check].

I FINALLY NO LONGER give a shit about this website!
THE COOLEST TITLE OF ALL: WORKING FOR A LIVING IN CINEMA