Film in Cinemas Is the standard! You fuckin' MORONS .

And, you know what, a complete technological bifurcation that cannot continue with streaming and simple digital? Highly complex and, even within that choice, yet an even more complex problem requiring leadership to proceed. It is simply the case: choosing what is on a filmic simulational storage and

WHAT IS THE broadcasting RECOMMENDATION for the FUTURE:LASERDISC!

ON a pre-CINEMArelease SCHEDULE(which means for LASER? before a cinema;blu:long long like it's sayaisz:::::LOOOOOOOOoOOOng after release lol ...and:::::if you DO NOT ADHERE to this requirement*******? NO HOME RELEASE AT ALL since you FILMis DUE SO MUCH ON a cinematic-elemantationalism() the CINEMA W

SO:Since melGIBson refused to give me specifically COPYright\

That's Mel from a still image of the copyright THEFT of even the laser disc?!!!! NO WAY MAN am I lett'in' some fuckin' wanker watch this masterpiece in their shitty fuckinDEN!xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

CLINGinGtoaBROADCAST standard for the CINEMA at HOME? Well.....

It is no longer acceptable to EVEN consider DIGITAL at home as a solution for BROADCASTING rights(which brings us BACK FULL-cirCleJERK on LASERDISCS, lol not!).xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

DriveAWAYDolls: PLEASE eat some other pussy

The lastthing to expect from this film is an understanding how to comprehend the PLASTIC ART NATURE OF cinema.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

CLOSER(2004), Natalie's FRAME shot and TAKE

Natalie Portman met Damon Wayans once and thought he was fuckin' hilarious but he never once said NIGGER? No, he said it pr ac ly ev y f u h k i n wort. xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

On Fame: from Monroe to NOTHING at all but selling your cleavage.

An ABSOLUTE hoot*of an essay trying to excavate-out 'fame' for people to understand that IT DOES not ACTUALLY EXIST any longer in 2025's 'media' scape and that*means natural-selection is WAY fucked what with tech-scum fetishizing fake tits and 'riding' vaginas till they're rotted out puss-drips.xxxx

The Idiots Guide to Cinematicity

In this a first article we lay out, in dead-simple plain terms, a few thoughts on what 'cinematicity' means and what the focus will be here as this website aspires to create a reasonably intelligent magazine dedicated to the importance of cinema.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx